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Music Lessons

Notes on Musical Instruments

String Instruments

 
   
TANPURA
 

The Tanpura also known as Tambura in South India, is a fretless stringed instrument that produces the drone - an essential background both, for vocal and instrumental music. It is believed that this instrument was invented either in the 16th or the 17th century.

Structure : The base of the Tanpura is called the Tumba. It is made from gourd. It is round in shape and acts as the resonance chamber. The tumba is covered with a resonating plate called the Tabli. The fingerboard is on the long part called the Dandi. Gullu or Gala connects the Dandi to the Tumba. At the other end of the Dandi is the bridge called Meru through which the strings reach the Pegs called the Khuntis. Two khuntis are placed on either side and two at the forefront. On the Tabli is a very important part called the Ghuruch which has a flat surface on which the strings lie. Much of the Tanpura’s unique and lasting sound is due to the silk or cotton pieces of thread that cushion the strings on the Ghuruch. The curving of the Ghuruch is called Javari. All the other parts are made of wood and the Ghuruch made of Stag horn.

Strings and their tuning : Traditionally the Tanpura has four strings. But there are Tanpuras having 6 or more strings also. More strings lead to a louder sound and also a larger variety in intonation. The four strings are tuned as follows: the first one is tuned to Mandra Saptak Pancham, the second and third strings, called the jode ke taar, are tuned to Madhya Saptak Shadja and the fourth one to Mandra Saptak Shadja. The first string is also tuned to other Swaras like Mandra Saptak Shuddha Madhyam or Mandra Saptak Shudha Nishada, to suit the requirements of some of the Ragas. The Pegs or the Khuntis are used for the major tuning of the Tanpura and the beads or the Mankas for minor tuning. The strings are plucked by the tip of the fingers. The middle finger is used for the first string and other three are struck with the index finger. The strike sequence is to the count of 5 as the last string has the longest resonance; so there is a brief pause after the fourth string is struck. The plucking should not coincide with the notes of the Raga or the beat of the Tabla. There are two common positions for holding the Tanpura – first is the upright one generally used, the other is the horizontal position. The Tanpura used by male vocalist is bigger in size and is tuned to Kali 1 or Kali 2. The one used by female vocalists is of medium size and is tuned to Kali 4 or Kali 5. A small version called the Tanpuri is used to accompany instrumental music. Some of the best Tanpuras come from Miraj in south Maharashtra, Kolkota, Benaras and Tanjore.

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TAMBURA
 

Tambura, called the Tanpura in the north, is a drone instrument belonging to the string family of instruments. It is used as an accompanying instrument both for vocal and instrumental recitals. As it resembles a veena, its original name was tambura-vina.

Structure : The spherical lower part which is the resonance box is made of jackwood. Its upper covering is made of a flat plank. The hollow body of the tambura is joined to the resonance box with a small neck.. A narrow ledge is attached to the end of the body through which the strings of the tambura pass. They are then tied to the tuning pegs. The tuning pegs of the first and second strings are fixed at the side of the neck and the other two pegs are at right angles to the head. The first three strings are made of steel and the fourth is of brass. The bridge, made of ivory is placed in the middle of the resonance box. Beads, threaded on to the strings called Jiva are placed between the bridge and the nagapasham to which they are tied. The length of the tambura varies between 3 ½ to 5 feet.

Tuning : Major tuning of the tambura is done with the help of the pegs. The pitch goes up when the strings are tightened by rotating the pegs. Minor tuning is done by moving the beads. The resonance is adjusted by threads below the strings on the bridge. The strings are tuned as follows:-

  1. The first string is tuned to Mandra sthayi panchamam
     

  2. The second and third strings are tuned to Madhya sthayi shadjam
     

  3. The fourth string is tuned to Mandra sthayi shadjam.

In the case of Ragas not having panchamam, the first string is tuned to mandra shtayi Shuddha madhyamam. Some Tamburas also have five strings.

Playing technique : The tambura is kept upright while it is played. Sometimes it is kept on the lap of the person playing the tambura. The first string is plucked with the middle finger and the other three with the index finger.

Difference between the Tanpura and the Tambura : In the north Indian Tanpura, the tumba or the resonance box is made of gourd where as it is made of wood in the case of Tambura. The Tanpura is slightly longer than the Tambura. Tanpuras made in Miraj, Lucknow and Kolkota are famous, whereas good quality Tamburas are made in Tanjavore, Thiruvanantapuram and Mysore.

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SARASWATI VEENA
 

Saraswati Veena, an instrument associated with Goddess Saraswati – the presiding deity of learning and arts, is an important instrument in Carnatic Music. It is said that the present day Veena developed from the Raghunatha Mela Veena, developed by Shri Govinda Dikshitar in the 16th century, who provided details of its design and playing techniques in his book ‘Sangita Sudha’.

Structure : The body of the instrument is made of wood, generally jackwood. The Veena of the best quality is made out  a single block of wood, others are carved out of in three sections (namely the resonator, neck and the head), from different blocks of wood. There are 24 frets made of brass set on the fret board by wax. The fret board is about 2 ½ feet long. One end of the fret board joins a large wooden resonator on the right. This resonator is hollow and helps in amplifying and sustaining the notes for a longer time. There is a small resonator on the left side that is mainly used as a stand to facilitate the placing of the instrument when it is being played. This is made of acoustically neutral material like paper mache etc. This resonator is highly decorated. The left end of the fret board is generally carved. The Veena has four main strings that are tuned as follows:-

Apart from the main strings, there are also three drone strings that are struck to denote the rhythm or the tala. The resonator has a bridge, the top of which is made of brass and supports the four main strings. The side of the same bridge holds the three drone strings. The tuning of the main strings is done with the help of tuning pegs called baradai located on the two sides of the left hand end. The three pegs for the drone strings are located on the inner side of the left end, before the pegs for the main strings. Finer tuning of the strings is done using small tension controls, that also attach the strings to the body of the instrument.

The artist sits cross –legged on the floor, the instrument resting horizontally on the floor in front with the large resonator to the right, while the small resonator is kept on the thigh to the left. The main strings are plucked using two metal plectrums worn on the index and middle fingers of the right hand. The end of the little finger is used to strike the drone strings. The left hand moves on the fret board, the playing done by the ends of the middle and index fingers.

Although Veenas are made in different parts of South India, those made in Tanjore are of the best quality.

Originally the Veena was used to traditionally accompany vocal concerts before the Violin took its place.

Some famous Veena players are:- Veena Dhanammal, Chitti Babu, K.S.Narayanaswamy, S. Balachandar, E.Gayathri

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