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 Music
Lessons |
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Hindustani
Music |
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THAAT |
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Thaat is the parental
scale from which a Raaga
is derived. This concept was
introduced by Pt. Bhatkhande,
who clubbed all the
Raagas under 10 main
categories, called Thaat.
Thus, a Thaat can
have many Raagas
belonging to it. The term
Thaat refers to the
basic patterns in which the
seven notes of the Saptak
are arranged.
Every Thaat has one
Raaga that bears its
name. Other Raaga-s
are derived from the
Thaat by dropping one or
more Swara-s from the
parental scale.
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1. |
Bilawal
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All
the seven
Suddha Swara-s.
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SA |
RE |
GA |
MA |
PA |
DHA |
NI |
SA |
Eg.: Alahya
Bilawal,Durga,
Devgiri Bilawal,
etc. |
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2. |
Kalyan :-
Madhyam
is Tivra.
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SA |
RE |
GA |
MA |
PA |
DHA |
NI |
SA |
Eg.: Yaman, Yaman Kalyan,
Hindol, Bhoopali,
etc. |
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3. |
Khamaj :-
Komal Nishad.
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SA |
RE |
GA |
MA |
PA |
DHA |
NI |
SA |
Eg.: Khamaj,
Des, Jaijaiwanti,
Jhinjhoti, etc. |
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4. |
Bhairav :-
Komal
Rishabh and Komal
Dhaivat.
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SA |
RE |
GA |
MA |
PA |
DHA |
NI |
SA |
Eg.: Bhairav,
Aahir Bhairav,
Bibhas, Jogia,
etc. |
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5. |
Marwa :-
Komal Rishabh
and Tivra
Madhyam.
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SA |
RE |
GA |
MA |
PA |
DHA |
NI |
SA |
Eg.: Marwa,
Puriya, Sohini |
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6. |
Kafi:-
Komal Gandhar
and Komal
Nishad
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SA |
RE |
GA |
MA |
PA |
DHA |
NI |
SA |
Eg.: Kafi, Bageshree, Bhimpalasi, etc. |
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7. |
Purvi:-
Komal Rishabh, Komal Dhaivat and Tivra Madhyam.
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SA |
RE |
GA |
MA |
PA |
DHA |
NI |
SA |
Eg.: Purvi, Puriya Dhanashree, Shree, etc. |
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8. |
Bhairavi :-
:- Komal Rishabh, Komal Gandhar, Komal Dhaivat and Komal Nishad.
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SA |
RE |
GA |
MA |
PA |
DHA |
NI |
SA |
Eg.: Bhairavi, Bilaskhani Todi, Bhoopal Todi, etc. |
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9. |
Asavari :-
Komal Gandhar, Komal Dhaivat and Komal Nishad
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SA |
RE |
GA |
MA |
PA |
DHA |
NI |
SA |
Eg.: Asavari, Jaunpuri, Darbari |
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10. |
Todi :-
Komal Rishabh, Komal Gandhar, Komal Dhaivat and Tivra Madham.
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SA |
RE |
GA |
MA |
PA |
DHA |
NI |
SA |
Eg.: Gurjari Todi, Miyan Ki Todi, etc. |
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Thaat and
Raaga Difference
The basic differences between a Thaat and a Raaga are as follows :-
| 1. | A Thaat must have seven notes is succession and one kind each. A Raaga can have any number of notes and not necessarily in succession. |
| 2. | A Thaat does not have features but a Raaga has features. | | 3. | A Thaat is not performed, but a Raaga is performed. |
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